How to approach sculpting wood, stone, metal, soft fabrics. Learn Zbrush, by an instructor that's not only a seasoned professional but also a studio owner, sitting on the other side of the hiring table!

Language: English | Size: 35.96 GB | Duration: 31h 12m My main references at this point were these four images.Free Download Sculpting In Zbrush Advanced So I decided to not do the interior, choosing to set up proper foliage instead and make an exterior scene with the cabin as the focal point. It wasn't the cabin I wanted, it was the cabin IN THE FOREST that I wanted. They were so pretty and nice, I just wanted to be there. I found YouTube videos of people going on hikes and picked out plants and shapes and general density and ended up completely enthralled by the forests I saw. I picked a rough region and looked into what plants grow there. I began ref-gathering for the exterior, thinking I'd need one type of tree and maybe some underbrush. I'd never done 'proper' foliage before this, so I wrongly assumed it was just a case of making some stuff and putting it into place. Once my blockout was finished, I realized I'd been really silly and not considered the exterior. I blocked out the cabin itself and then started blocking out interior assets.

I got a ton for the interior and gathered refs for every room in the house and thought I would just make a nice relaxing indoor scene, and maybe one would be able to see outside in a few angles, so I might need to finally dive into proper foliage production.

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